Wedding prejudices and stereotypes are also reflected in the movie through the introductory scene. In particular, the director introduces specific elements of the Chinese culture, including rituals, customs, and traditions. The scene also brightly illustrates the historic background of the time.
Looking at the first scene of the movie, therefore, allows the viewers to conceive the image of progressive, emancipated Chinese women. She is definite about her life goals because the woman never stops hoping for better future. Jiu’er is reluctant to reveal her weaknesses and, therefore, she accepts the challenges on her fate.Īt the same time, she never rejects her willingness to love and be loved. Once again, the scene depicting the pre-marriage preparation and brides’ emotions proves her strength and reconciliation. Close-ups made by camera allow to obtain a deeper understanding of how the progressive woman should look like. Within this context, the main heroine is not represented here as an independent individual, but a symbolically embodiment of all Chinese women. The emphasis placed on environment and colors does not only enhance the historical spirit of times, but also provides a better picture of relations, attitudes, and beliefs. Red colors symbolize the inevitability of the oncoming marriage, as well as the tragedy that is going to happen.
The dramatic effect of the scene is enhanced by the color of the sedan interior. I especially admire the scene when the future bride is carried in a sedan, particularly the desperate and frustrated look expressed on her face. The story acquires a mysterious and mesmerizing tone because looks and gazes tell more about feelings and emotions endured by the protagonists rather than dialogues. Instead, the focus is made on the way landscape, colors and music contribute to unveiling the themes and ideas of the movie.ĭescribing peasantry on the picturesque background of sorghums, as well as representing the main heroes in an unconventional way makes me think of the movie as of the brightest example of the Chinese avant-garde. While watching the movie, the first thing I paid attention to was the fact that dialogues and remarks were of secondary importance for the director. Thus, cinematography contributes significantly to the overall atmosphere of the movie.
While using a sophisticated combination of music and colors, the director manages to render the feelings of the heroes, as well as provide movie with the undertone of mystery. Though the story plot is not distinguished by originality of ideas, the cinematography makes the film fascinating and interesting to watch. However, she was successfully rescued by one of the servants with whom she falls in love. Frustrated and overwhelmed with grief, the girl does not afraid of being hunted by the bandit.
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